Number 14
by Mark Rothko
Although Number 14, 1960 is an autonomous work and was not conceived with a particular site in mind, this monumental piece on such an immense scale – might be considered among the best of Rothko’s true murals.
Experienced at relatively close proximity as the artist intended, the extended format expands beyond the observer’s lateral field of vision, so that the painting seems to open itself up and transcend its limits.
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